Because through all the official inquiries and heated speeches in Parliament, no one has ever bothered to answer a basic question: Who wrote the letter? And why? The night before Hamza is to start journalism school, he has a chance meeting in Birmingham with the reporter Brian Reed, the host of the hit podcast S-Town. To Hamza Syed, who is watching the scandal unfold in his city, the whole thing seemed … off. By the time it all dies down, the government has launched multiple investigations, beefed up the country’s counterterrorism policy, revamped schools and banned people from education for the rest of their lives. The story soon explodes in the news and kicks off a national panic.
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The plot has a code name: Operation Trojan Horse. 1 of 2017, this could BloodPop’s moment.A strange letter appears on a city councillor’s desk in Birmingham, England, laying out an elaborate plot by Islamic extremists to infiltrate the city’s schools. With “Friends” tipped as Bieber’s potential third Hot 100 No. Which brings us back to “Friends” - co-written with Bieber, Justin Tranter and Julia Michaels - and one of the first major singles to feature BloodPop’s name on the same line as the lead artist. That was followed up by a producer credit on the Haim song “Want You Back” from their Something to Tell You album (plus a remix of their “Little of Your Love” single).Īmong the other acts he’s produced and/or written for according to his bio: AlunaGeorge, Charli XCX, Dreezy, Le1f, Lupe Fiasco, Mikky Ekko, MØ, Pia Mia and more. Things truly went stratospheric, though, in 2016, when he received co-writing credits for all the tracks on Gaga’s Joanne album. Lady Gaga's 'Joanne': Get to Know the Collaborators, From Beck to BloodPopĪfter a 2014 EP and a remix of a Beyoncé track on the Fifty Shades of Grey soundtrack, things went all the way up in 2015 when he was tapped to co-write five songs on Madonna‘s Rebel Heart album and six on Bieber’s Purpose, including the smash “Sorry.” The roll continued with co-writes for Fifth Harmony (“Scared of Happy”), Britney Spears (“Better”) and John Legend (“What You Do to Me”). I just knew they sounded different.”įollowing his first singles as Blood Diamonds in 20 (“Heart,” “Lasting Love,” Grins,” “Move the Stars”) he told The Fader that he met Grimes at his first show under that name when she played on a bill in Vancouver before him, which resulted in their collaboration on “Phone Sex” in 2012. That led to his first remix for a well-known artist: a 2012 re-do of Kendrick Lamar‘s “Swimming Pools (Drank).” What followed were remixes for Major Lazer, Sky Ferreira, Kiesza and Ellie Goulding, before BloodPop began his first steps into the mainstream with production on Grimes‘ “Go” and Tinashe‘s “Bet.” “I didn’t understand the difference between Arcade Fire and something really corporately produced. The addition of the “pop” to his name was a reflection of what he’s always wanted to do: “make good pop music and not be ashamed of it.” When he started making music in 2011, BloodPop said he was listening to Kesha and Swedish House Mafia, without an understanding of what EDM was or what a producer like Dr. Beats are fun, and they’re great to listen to, but purely instrumental tracks don’t connect with as many people.” I stopped putting out my own records for the last two or three years as Blood Diamonds not only because of the name conflict, but because I didn’t just want to just be a beat-maker. I decided that out of respect, I shouldn’t share that name. “But in recent years I felt a need to be more socially responsible because of the conflict of blood diamonds, the actual blood diamonds. The 19-year-old me was planning on making video games and putting out records on SoundCloud anonymously,” he said. “When I started out as Blood Diamonds I was never really planning on being successful in the least bit. Will 'Friends' Be Justin Bieber's Third Hot 100 No.
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